JAYSON OLIVERIA : After This, Everything You Do Is Wrong opens 27 August at Pablo Fort

https://www.facebook.com/postgallery.pg

PABLO THE FORT 27 Aug – 10 Oct

After This, Everything You Do Is Wrong

The irresistible forces of failure and the fear of bad luck are turned into paintings that are dumb at first glance but brilliant the more we keep looking. For instance, an anime-style painting of a male head with a huge erection for a hand, superimposed with varied patches of color suggesting a variety of vaginas, may demonstrate the difference between figuration (the phallus) and abstraction (the pussies).

Figuration gives us recognizable elements and signs that we can decode, while abstraction turns its back on us and blocks our view to prevent interpretation and resist narrative. Paradoxically, abstraction annihilates illusions and obliterates distractions, while figuration can mystify and delude. We can observe the hostility and intercourse between figuration and abstraction in the painting of a skunk giving a pink flower to a crocodile wearing a red painter’s hat and snacking on a fishbone. The crocodile rolls its eyes and looks jaded and world-weary, while the skunk seems hopeful and giddy, naive and oblivious of the crocodile’s disdain. A yellow butterfly flutters behind the crocodile. Below, a rat in blue shorts and leather shoes, hands in pockets looking bored and burned-out, is turned towards a little chick looking away in dismay, wearing similar leather shoes but is otherwise naked. An awkward tension seems to exist between the two but exactly what is happening cannot be determined since the image is upside down and painted over with various shapes of different colors, almost completely obstructing our view of the scene. What is clear is the text that reads, “Since I gave up hope I feel much better.”

The shallow and the deep are both apparent on the surface of the paintings. The picture of a monkey with hair shaved on parts of its body and pubic area, holding up an impossible triangle constructed out of poo, is evocative of Homo erectus’ discovery of fire – a turning point in human evolution. But the triangular turd is a discovery that we don’t know what to make of, whether it is useless or valuable. Though the act is a great leap in thought and imagination, it leaves us and the monkey none the wiser.

In another, cartoon-like picture, a naked woman holding a giant pair of scissors waiting for the peeper to poke his pecker through the peephole on a fence may be seen as a comment on the act of looking at art, and brings to mind Marcel Duchamp’s final opus, Étant donnés (roughly translated as Given). In this case, the naked female body is on the same side as the onlooker and instead of a gas lamp in her hand illuminating the way, she holds a pair of scissors that threaten to put the light out of the candle shining and towering on the other side, which she does not see.

As we can see, these paintings are devoted to the traditions of modern art and make use of familiar avant-garde elements such as the grid, the maze, and the brick wall. The grid is found in several of the paintings such as one that plays with surrealism where a hand crushes a beer can as if in triumph, muscles flexing and biceps bulging. Pine trees grow on the biceps, which could also be seen as a hill. Hovering above is an eyeball that could also be a full moon. In the center is an owl made of shells and below is a hospital urinal for patients who find it impossible to get out of bed. The images get out of the grid and do not stay behind the lines.

While multiple layers are commonly piled on the surface, the pictures go against complexity. One painting is initially of a classic motivational poster of a small kitten hanging on to a tree branch coupled with the catchphrase, “Hang in there baby.” This popular relic of the 1970s is used as the underpainting, layered over and almost completely obscured by an image of two prisoners hanging in chains wearing only tattered shorts. The prisoner on the right of the kitten seems horny and amused as he inserts his free foot down the pants of his companion, while the other guy is stunned and looks away, yet also somehow pleased to be preoccupied. His legs are splayed and he feels the pleasure yet feels embarrassed that he is pleasured. The naughty one doing the footsie is clean-looking and looks like a newbie prisoner, while the helpless guy being stimulated has overgrown facial hair and a bloated belly, and appears to have been hanging there for a while. This image is further painted over with an enlarged version of a shrunken head, a novelty item inspired by the headhunting Jivaro tribe of South America, famous for their practice of shrinking and preserving human heads taken in battle as a trophy. The hunted heads are shrunk to the size of a large orange and sewn along the lips. The souvenir version is attached to a string to be hung in the home or car. Beneath the shrunken head is a singing fish, a popular kitschy object that turns its head towards the spectator and sings kitschy cover songs when turned on. It is mounted on a plaque and typically hung on the wall like a taxidermy trophy. These layered images, evidently, have something to do with “hanging” and may refer to the hanging of paintings or pictures.

Paintings defy analysis and change meaning or evolve in idiocy at different times and different states. The more we look the more we know, and the more we know the more we don’t know. We know the look of losers and the picture of success. These pictures are successful in displeasing our sense of beauty, and raise philosophical questions that kill the buzz of glamour and glory. How do we solve the circular maze of art making and go beyond the dead ends of imagination? In Jayson Oliveria’s exhibition, After this, everything you do is wrong, the answers are given.

Masi Oliveria, 2015

Pablo X Part 2 Opening on August 15 double with Selecter FM Session : Modified Signals

IMG_0823Now on the halfway mark of this 2-month stretch of celebrating Pablo’s 10 Year anniversary with a video art show curated by Shireen Seno and Merv Espina called Instructions. and a special Selecter FM set curated by Caliph8.

A week-long all-nighter of preparations for a show that will run for only a week.

IMG_0614 IMG_0617

IMG_0618 IMG_0615

IMG_0623

IMG_0639 IMG_0642

IMG_0646 IMG_0649

IMG_0661 IMG_0663

IMG_0664 IMG_0665

and it opens with a bang and some shots of lambanog

IMG_0741

One of the works is an interactive piece by Poklong Anading where he enjoins participants to submit their 15-second video explaining their unrealized project and uploading it on the Instagram page of #AVoidWork

IMG_0671 IMG_0687

IMG_0669

IMG_0673 IMG_0695

shirts were also sold with a QR code that one can scan and direct them to the Instagram page of the project. The shirts are produced and distributed by Limitado shirts.

IMG_0787 IMG_0790

another interactive piece by Mannet Villariba riffing on Tad Ermitanio’s Hulikotekan work. Viewers can make their own music by producing sounds from objects on the table. A computer program records and manipulates the produced video and audio from such.

IMG_0655 IMG_0742

IMG_0808

Excerpts from the video piece by Ivan and Pauline Despi where they have deconstructed the process by which they have made their collaborative video piece Babel.  Audio is from Ivan’s instructions for the performers of the video.

IMG_0890

IMG_0892

and for the soundtrack of the night – Modified Signals

First to perform were Richard Tuason  and Roger Lopez who was joined later on by Caliph8.

Richard Tuason’s prepared guitar.

IMG_0686 IMG_0762

IMG_0769

more photos on Post FB page

JAYSON OLIVERIA : AFTER THIS, EVERYTHING YOU DO IS WRONG opens 27 August at Pablo Fort

JO invite Pablo show

The irresistible forces of failure and the fear of bad luck are turned into paintings that are dumb at first glance but brilliant the more we keep looking. For instance, an anime-style painting of a male head with a huge erection for a hand, superimposed with varied patches of color suggesting a variety of vaginas, may demonstrate the difference between figuration (the phallus) and abstraction (the pussies).

Figuration gives us recognizable elements and signs that we can decode, while abstraction turns its back on us and blocks our view to prevent interpretation and resist narrative. Paradoxically, abstraction annihilates illusions and obliterates distractions, while figuration can mystify and delude. We can observe the hostility and intercourse between figuration and abstraction in the painting of a skunk giving a pink flower to a crocodile wearing a red painter’s hat and snacking on a fishbone. The crocodile rolls its eyes and looks jaded and world-weary, while the skunk seems hopeful and giddy, naive and oblivious of the crocodile’s disdain. A yellow butterfly flutters behind the crocodile. Below, a rat in blue shorts and leather shoes, hands in pockets looking bored and burned-out, is turned towards a little chick looking away in dismay, wearing similar leather shoes but is otherwise naked. An awkward tension seems to exist between the two but exactly what is happening cannot be determined since the image is upside down and painted over with various shapes of different colors, almost completely obstructing our view of the scene. What is clear is the text that reads, “Since I gave up hope I feel much better.”

The shallow and the deep are both apparent on the surface of the paintings. The picture of a monkey with hair shaved on parts of its body and pubic area, holding up an impossible triangle constructed out of poo, is evocative of Homo erectus’ discovery of fire – a turning point in human evolution. But the triangular turd is a discovery that we don’t know what to make of, whether it is useless or valuable. Though the act is a great leap in thought and imagination, it leaves us and the monkey none the wiser.

In another, cartoon-like picture, a naked woman holding a giant pair of scissors waiting for the peeper to poke his pecker through the peephole on a fence may be seen as a comment on the act of looking at art, and brings to mind Marcel Duchamp’s final opus, Étant donnés (roughly translated as Given). In this case, the naked female body is on the same side as the onlooker and instead of a gas lamp in her hand illuminating the way, she holds a pair of scissors that threaten to put the light out of the candle shining and towering on the other side, which she does not see.

As we can see, these paintings are devoted to the traditions of modern art and make use of familiar avant-garde elements such as the grid, the maze, and the brick wall. The grid is found in several of the paintings such as one that plays with surrealism where a hand crushes a beer can as if in triumph, muscles flexing and biceps bulging. Pine trees grow on the biceps, which could also be seen as a hill. Hovering above is an eyeball that could also be a full moon. In the center is an owl made of shells and below is a hospital urinal for patients who find it impossible to get out of bed. The images get out of the grid and do not stay behind the lines.

While multiple layers are commonly piled on the surface, the pictures go against complexity. One painting is initially of a classic motivational poster of a small kitten hanging on to a tree branch coupled with the catchphrase, “Hang in there baby.” This popular relic of the 1970s is used as the underpainting, layered over and almost completely obscured by an image of two prisoners hanging in chains wearing only tattered shorts. The prisoner on the right of the kitten seems horny and amused as he inserts his free foot down the pants of his companion, while the other guy is stunned and looks away, yet also somehow pleased to be preoccupied. His legs are splayed and he feels the pleasure yet feels embarrassed that he is pleasured. The naughty one doing the footsie is clean-looking and looks like a newbie prisoner, while the helpless guy being stimulated has overgrown facial hair and a bloated belly, and appears to have been hanging there for a while. This image is further painted over with an enlarged version of a shrunken head, a novelty item inspired by the headhunting Jivaro tribe of South America, famous for their practice of shrinking and preserving human heads taken in battle as a trophy. The hunted heads are shrunk to the size of a large orange and sewn along the lips. The souvenir version is attached to a string to be hung in the home or car. Beneath the shrunken head is a singing fish, a popular kitschy object that turns its head towards the spectator and sings kitschy cover songs when turned on. It is mounted on a plaque and typically hung on the wall like a taxidermy trophy. These layered images, evidently, have something to do with “hanging” and may refer to the hanging of paintings or pictures.

Paintings defy analysis and change meaning or evolve in idiocy at different times and different states. The more we look the more we know, and the more we know the more we don’t know. We know the look of losers and the picture of success. These pictures are successful in displeasing our sense of beauty, and raise philosophical questions that kill the buzz of glamour and glory. How do we solve the circular maze of art making and go beyond the dead ends of imagination? In Jayson Oliveria’s exhibition, After this, everything you do is wrong, the answers are given.

Masi Oliveria, 2015

Pablo X Part 2 : Instructions (On and About Video Art)

dvd player schematic_by

The 2nd leg in the series of Pablo Galleries’ 10th Anniversary show will showcase video works by Poklong Anading, Martha Atienza, Lena Cobangbang, Ivan & Pauline Despi, Kaloy Olavides, Tad Ermitanio with Mannet Villariba. Curated by Shireen Seno and Merv Espina, the exhibit, entitled Instructions, retakes the 2-part process of video work : the production and conceptualization of the work, and the installation of the work in a given space,” inviting artists to  revisit their past video or time-based media works and break them down to a score or set of instructions—distilling old work into a set of instructions from which to generate something new. ”

Quoting further from their curatorial statement :

“In the context of PABLO’s video exhibition on the occasion of their 10th anniversary,  the artists can choose to present their actual processes and investigations, or work them in as they then re-install, re-imagine or re-work their pieces into a given space—this time with a heightened awareness of the limitations of space, time, technology, finances and other logistical constraints—based on the original incarnation or idea of their works and the act of breaking them down.

We liken this process to a performance. Such as in music or dance, an element of indeterminacy is central to the idea of a work being performed. But indeterminacy is not present in the playback of media. It’s present in the act of installing an installation.

In the process of participating in this exhibition, the artists assess their ideas and intentions of creation, and explore alternative ways of understanding authenticity, change and loss in ways that might help guide the conservation of their works of art. ”

“Many of the works in question only exist as memories, rumors, and text on forgotten catalogs and manuscripts, even those as recent as 5 years ago. Perhaps the moving image can in fact bear witness to the instability/precarity of our times, challenging the very structures and dynamics that constitute these works with its audience, whose various acts of witnessing, participation and remembrance is key—and for some works, could now only be its only form of existence.”

Shireen Seno and Merv Espina continue to work on the Kalampag Tracking Agency, an ongoing initiative and screening program exploring alternative notions/visions in moving image practice from the Philippines.

This will open on August 15 and will run until August 22, 2015.  The opening night will be highlighted by a special Selecter FM Session, curated by Caliph8 with performances by Pow Martinez & Kaloy Olavides (with Pastilan Dong), Malek Lopez & Moon Fear Moon, Roger Lopez & Richard Tuason.

Selecter Pablo X

Pablo X Kick Off Anniversary Show opening (Pablo X Part 1)

 

 

 

IMG_0430

IMG_0446

 

IMG_0450

10 Years is 10 years of seeing neighboring shops come and go here at Cubao X, surrounding structures being demolished and replaced with new ones, a procession of fashion and music trends in constant retro procession, and the denizens and hangers-on of this quaint cul-de-sac at the heart of Cubao shopping center getting older and younger, and former party-addicts becoming doting parents to pets and babies.  But as art is forever, those 10 years for Pablo will just be a marker for another chapter, another decade of more challenging and more lustrous art years ahead. So cheers to this night, and to the coming exhibits. There’s still three more to go until September.

This first leg, titled Into One Category or The Other is curated by the collaborative duo of Dina Gadia and Allan Balisi as Saturnino Basilia.  Read more about the show here.

A zine catalog for the show was also released and it sells for just 100 bux. Make sure to get your copy now!

IMG_0407

Setting up the show with a mural by Epjey Pacheco and Eva Yu.

IMG_0188 IMG_0227

IMG_0228 IMG_0226

While outside, the graffiti crew of Drone, Ekis and Exld tagged the 2nd floor facade.

IMG_0322

This was transformed during opening night

IMG_0572 IMG_0587

Party music was provided by The Diegos

IMG_0438 IMG_0465

IMG_0554 IMG_0451

IMG_0544 IMG_0577

and of course there was dancing too

IMG_0604 IMG_0605

IMG_0582

 

1st batch of well-wishers and co-partiers

IMG_0584 IMG_0375

IMG_0385 IMG_0386

IMG_0394 IMG_0396

IMG_0406 IMG_0412

IMG_0415 IMG_0416

IMG_0426 IMG_0432

IMG_0443 IMG_0448

IMG_0455 IMG_0457

IMG_0466 IMG_0470

IMG_0471 IMG_0472

IMG_0474 IMG_0475

IMG_0476 IMG_0478

IMG_0479 IMG_0491 IMG_0500 IMG_0503

IMG_0506 IMG_0508

IMG_0513 IMG_0515

IMG_0521 IMG_0527

IMG_0531 IMG_0547

IMG_0551 IMG_0570

IMG_0578 IMG_0540

IMG_0585 IMG_0589

IMG_0590 IMG_0592

IMG_0593 IMG_0435

IMG_0595 IMG_0596

IMG_0601 IMG_0607

IMG_0608 IMG_0612

 

 

Pablo 10 Year Anniversary Show Kicks Off This 1 August

urban illustration_lo

In celebration of this milestone in the art scene is a 4-part series of shows that will be held from August to September at Post Gallery in Cubao X where it started.

Established in 2005, Pablo has been exhibiting works spanning a broad range of disciplines as gleaned from the diverse selection of artists participating in the show. All have had a solo show or were oart of exhibits at Pablo, be it at the Cubao, Makati, or the Fort galleries. A notable line-up exhibiting and performing artists will be featured from August 1 to September 19, 2015.

Kicking the celebration off this Saturday, August 1 is a collaborative graffiti art
( Tension Beneath The Surface) curated by Okto, featuring the  spray-painted wall tag of Ekis, Drone & Exld adorning the facade of the gallery. The anniversary’s Illustration exhibit, titled Into One Category or The Other, will be curated by Saturnino Basilia, the collab project of  Dina Gadia & Allan Balisi. This will feature works by Wiji Lacsamana, Abi Goy, Liza Flores, Manix Abrera, Nelz Yumul,   Lala Gallardo-Samson, Epjey Pacheco, Bjorn Calleja, Beejay Esber, Eva Yu, Meneer Marcelo, Dex Fernandez, Ramon Bautista, Jun Sabayton, Camy & Patrick Cabral, and Julius Sebastian.

A live DJ set will be performed by The Diegos on the opening night.

The Urban Art and Illustration exhibit is from August 1 to 8, 2015.

Part 2 of Pablo X Anniversary show will be on 15 – 22 August.
Part 3 will be on 29 August – 5 September.
Part 4 will be on 12 – 26 September.

PABLO celebrates 10 Year Anniversary with a series of shows This August

Pablo X2

Cubao X, Quezon City – It makes sense that Pablo X,  a month-long series of shows celebrating the gallery’s tenth anniversary, will be held at Post Gallery. It is after all in Cubao X, the hub of art, music, and vintage finds, where Pablo was born.

Established in 2005, Pablo has been exhibiting works spanning a broad range of disciplines as gleaned from the diverse selection of artists participating in the show. All have had a solo show or joined exhibits at Pablo, be it at the Cubao, Makati, or the Fort galleries. A notable line-up exhibiting and performing artists will be featured from August 1 to September 19, 2015.

Kicking the celebration off is a series of collaborative graffiti art by Okto, Ekis, Drone & Exld Manila on Saturday, August 1. The anniversary’s Illustration exhibit will be curated by Saturnino Basilia (Dina Gadia & Allan Balisi) and will feature works by Wiji Lacsamana, Abi Goy, Liza Flores, Manix Abrera, Nelz Yumul,   Lala Gallardo-Samson, Epjey Pacheco, Bjorn Calleja, Beejay Esber, Eva Yu, Meneer Marcelo, Dex Fernandez, Ramon Bautista, Jun Sabayton, Camy & Patrick Cabral, and Julius Sebastian. The Urban Art and Illustration exhibit is from August 1 to 8, 2015.

The second part of the Pablo Ten anniversary show will open on August 15 and run until August 22, 2015. It will focus on Video Art, and will showcase the works of Ivan & Pauline Despi, Tad Ermitaño, Kaloy Olavides, Martha Atienza, Poklong Anading,  and Lena Cobangbang. The opening night will be highlighted by a special Selecter FM Session, curated by Caliph8 with performances by Pow Martinez & Kaloy Olavides (with Pastilan Dong), Malek Lopez & John Sobrepena, Roger Lopez & Richard Tuason.

The third Pablo Ten anniversary event will run from August 29 to September 5, 2015 featuring installation works by Jeona Zoleta. A Photography show opens on the same night, curated by David Griggs and showcasing the works of Mitch Mauricio, Jay Yao, EWWS, Jed Escueta, Brendan Goco, Paolo Ruiz, RA Rivera, and MM YU.

Pablo Ten will end its anniversary celebration with a Painting exhibit by Pow Martinez, Tin Garcia, Jigger Cruz, Jayson Oliveria, CRAJES, Zeus Bascon, Dina Gadia, Allan Balisi, Albert sy,  Romeo Lee, Ranelle Dial, Mike Crisostomo, Katwo Puertollano, Cos Zicarelli, Maria Cruz, Argie Bandoy, Mark Salvatus, Carina Santos, Auggie Fontanilla, and  Neil Arvin Javier

The exhibit opens on September 12 and will be up until September 26, 2015.

To stay updated on the shows, visit postpablo.wordpress.com and pablogalleries.com, or Pablo X’s Facebook event page.

For further inquiries and more information, contact Pablo at 63(920) 960.5690    or email fort@pablogalleries.com